Woman Native Other; Trinh T. Minh-ha

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... methodologically innovative... precise and perceptive and conscious... " --Text and Performance Quarterly

Woman, Native, Other is located at the juncture of a number of different fields and disciplines, and it genuinely succeeds in pushing the boundaries of these disciplines further. It is one of the very few theoretical attempts to grapple with the writings of women of color." --Chandra Talpade Mohanty

The idea of Trinh T. Minh-ha is as powerful as her films... formidable... " --Village Voice

... its very forms invite the reader to participate in the effort to understand how language structures lived possibilities." --Artpaper

Highly recommended for anyone struggling to understand voices and experiences of those 'we' label 'other'." --Religious Studies Review

January 1, 1989
About the Author
Trinh T. Minh-ha (born 1952) is a filmmaker, writer, academic and composer. She is an independent filmmaker and feminist, post-colonial theorist. She teaches courses that focus on women's work as related to cultural politics, post-coloniality, contemporary critical theory and the arts. The seminars she offers focus on Third cinema, film theory and aesthetics, the voice in cinema, the autobiographical voice, critical theory and research, cultural politics and feminist theory.[1] She has been making films for over twenty years and may be best known for her first film Reassemblage, made in 1982. She has received several awards and grants, including the American Film Institute’s National Independent Filmmaker Maya Deren Award, and Fellowships from the John Simon Guggenheim Foundation, the National Endowment for the Arts and the California Arts Council. Her films have been the subject of twenty retrospectives.

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