On Violence and On Violence Against Women; Jacqueline Rose

Why has violence, and especially violence against women, become so much more prominent and visible across the world? To explore this question, Jacqueline Rose tracks the multiple forms of today's violence - historic and intimate, public and private - as they spread throughout our social fabric, offering a new, provocative account of violence in our time.

From trans rights and #MeToo to the sexual harassment of migrant women, from the trial of Oscar Pistorius to domestic violence in lockdown, from the writing of Roxanne Gay to Hisham Mitar and Han Kang, she casts her net wide. What obscene pleasure in violence do so many male leaders of the Western world unleash in their supporters? Is violence always gendered and if so, always in the same way? What is required of the human mind when it grants itself permission to do violence?

On Violence and On Violence Against Women is a timely and urgent agitation against injustice, a challenge to radical feminism and a meaningful call to action.

April 13, 2021

About the Author

Jacqueline Rose, FBA (born 1949, London) is a British academic who is currently Professor of Humanities at the Birkbeck Institute for the Humanities.

Rose was born into a non-practicing Jewish family. Her elder sister was the philosopher Gillian Rose. Jacqueline Rose is known for her work on the relationship between psychoanalysis, feminism and literature. She is a graduate of St Hilda's College, Oxford and gained her higher degree (maîtrise) from the Sorbonne, Paris and her doctorate from the University of London.

Her book Albertine, a novel from 2001, is a feminist variation on Marcel Proust's À la recherche du temps perdu.

She is best known for her critical study on the life and work of American poet Sylvia Plath, The Haunting of Sylvia Plath, published in 1991. In the book, Rose offers a postmodernist feminist interpretation of Plath's work, and criticises Plath's husband Ted Hughes and other editors of Plath's writing. Rose describes the hostility she experienced from Hughes and his sister (who acts as literary executor to Plath's estate) including threats received from Hughes about some of Rose's analysis of Plath's poem "The Rabbit Catcher". The Haunting of Sylvia Plath was critically acclaimed, and itself subject to a famous critique by Janet Malcolm in her book The Silent Woman: Sylvia Plath and Ted Hughes.

Rose is a regular broadcaster on and contributor to the London Review of Books.

Rose's States of Fantasy was the inspiration for composer Mohammed Fairouz's Double Concerto of the same title.